REVIEW: Chicken Run

From ANIMAL PEOPLE, September 2000:

Chicken Run
Animated feature co-directed by Peter Lord and Nick Park,
starring the voices of Mel Gibson, Julia Sawahla, and
Miranda Richardson. Aardman Studios, 2000. 80 minutes.

Burlesquing the World War II prisoner-of-war camp
films Stalag 17 (1953) and The Great Escape (1963), Chicken
Run features the laying hen Ginger as the indomitable prisoner
who is repeatedly hunted with dogs and thrown into solitary
confinement in a coal bin, yet continues her escape attempts.
Time and again Ginger sacrifices her own chance at
freedom to help less comprehending, less ambitious, and less
agile chickens escape with her. Each time she is roughly
returned to Coop 17 and dawn inspections at which unproductive
hens are singled out for the pot, as examples to the rest.
The TV comedy series Hogan’s Heroes (1965-1968)
parodied The Great Escape and Stalag 17 just for laughs.
Chicken Run is far funnier, to serious purpose.

Read more

ANIMAL SPECTACLES

From ANIMAL PEOPLE, June 2000:

 

Reporter Tom Lyden, 34, of KMSP-TV, Channel 9, in Minneapolis, was on May 15 charged with theft, unauthorized borrowing, and tampering with a motor vehicle, all misdemeanors, for taking a videotape of dogfighting from a car which was parked outside the home of junior flyweight boxer William Grigsby during an April 27 police raid. The car turned out later be Grigsby’s. Police and humane officers seized 13 pit bull terriers and other evidence that Grigsby may have been involved in dogfighting, but missed the video, which according to those who have seen it appears to depict Grigsby at a dogfight. Lyden called taking the video “aggressive reporting.” The Minnesota chapter of the Society of Professional Journalists called it a major breech of reporting ethics.

Municipal court judge Thomas F.X. Foley of Freehold Township, New Jersey, in early April dismissed due to lack of evidence a case brought by M o n m o u t h County SPCA chief cruelty investigator Stuart Goldman against the Clyde BeattyCole Brothers Circus, of Deland, Florida, for allegedly overworking an elephant named Helen during a series of performances in August 1999. Goldman previously tried to prosecute the Clyde Beatty-Cole Brothers Circus in 1996 for allegedly violating an ordinance by exhibiting elephants in a parking lot.

An attempted prosecution of the Ringling Brothers and Barnum & Bailey Circus for allegedly abusing seven elephants before an appearance in San Jose, California, on August 23, 1999 also failed due to lack of evidence, San Jose Mercury News r e p o r t e r Linda Goldson disclosed on May 9. Santa Clara County deputy district attorney R o b i n W a k s h u l l told Goldston that although the Humane Society of the Santa Clara Valley could establish that some of the elephants were injured, it was never able to identify exactly who injured them. Since criminal offenses must be charged to a particular person, no case could be brought.

U.S. District Court Judge Earl Britt of Wilmington, North Carolina on May 8 dismissed a claim by Oregon Trail Films coproducers Eric Epperson and Alan James that veteran movie animal handler A l i c i a Rudd misrepresented her ability to direct a trained mule named El Berta. Epperson and James held that delays caused by El Berta balking cost eight hours and $111,111––about a fourth of their total cost overrun in making the soon-to-be-released film, called Morgan’s C r e e k. Rudd told the judge that James had tried to overwork El Berta. Britt reportedly ruled that to be stubborn is a mule’s time-hon

REVIEWS: All the Little Animals

From ANIMAL PEOPLE, November 1999:

All The Little Animals
Directed and produced by Jeremy Thomas
Starring Christian Bale and John Hurt
Lions Gate Films (561 Broadway, Suite 12-B, New York, NY 10012), 1999

Scheduled for video release in
November, after an August theatre debut,
All The Little Animals invites comparison
with characters reminiscent of George and
Lenny in John Steinbeck’s 1937 novella O f
Mice And Men, a plot loosely paralleling
Charles Dickens’ autobiographical opus
David Copperfield, and climactic action
developing within the ruins of King Arthur’s
reputed stronghold along the Cornish coast.

Read more

Calgary Humane tries to avoid getting Stampeded

From ANIMAL PEOPLE, September 1999:

CALGARY––Does the Calgary Humane
Society have what it takes to take on animal abuse in
the Canadian film industry?
The American Humane Association is betting
it does––in part from the experience Calgary
Humane has in co-existing with the Calgary
Stampede, the world’s most famous rodeo.
Data gathered by Vermont veterinarian and
former rodeo performer turned anti-rodeo activist
Peggy Larson shows that at least 12 horses have been
killed during Stampede chuckwagon races just since
1990, with horse fatalities occurring in seven of the
ten years. On July 9 this year, chuckwagon racer Bill
McEwen, 59, suffered fatal injuries in a crash that
also killed a horse and injured another racer, Ron
David. McEwen’s son Larry, driving another chuckwagon,
got a 20-second penalty for allegedly causing
the crash––and the show went on.

Read more

A Mickey Mouse take on Africa: AND WHAT’S WRONG WITH THAT?

From ANIMAL PEOPLE, September 1999:

TOWN, HARARE, KAMPALA,
KILGALI, MAPUTO, NAIROBI– – T h e
defining attraction at Walt Disney’s Wild
Animal Kingdom is a 20-minute Mickey
Mouse version of an African photo safari.
Canvas-topped four-wheel drive
trucks haul guests on a jolting, twisting,
splashing drive through fake savannah and
jungle so seemingly real that many ask how
Disney moved the 400-year-old baobab
trees––or are they also native to Florida?
The fake baobabs stand among
more than 100,000 real African and Asian
trees which were either transplanted or grown
at the site, along with examples of 1,800
species of moss, ferns, and perennials, and
350 kinds of grass, each specific to the needs
of particular creatures.

Read more

WATCHING THE HORSES

From ANIMAL PEOPLE, September 1999:

HOLLYWOOD, Calif,––To know
whether the animals in a film or TV production
have been treated humanely, insiders say,
watch the horses.
Horses are not only the most commonly
used animal actors and props, they are
also easily replaced unless specially trained,
cost more to board than to buy, and are legally
classed as livestock, exempted from most animal
protection laws. Thus horses are the most
vulnerable species on most animal-using sets.
Watching the horses, ANIMAL
PEOPLE reader Mary Chipman, of Hazelwood,
Missouri, was alarmed in midsummer
by scenes from The Mummy and Joan of Arc.
Both, Chipman wrote, “featured
many horses who were yanked around and
made to fall during battle scenes. Some of it
could have been computer-enhanced, but there
is no doubt in my mind that quite a few horses
had a harrowing experience. Has there been a
resurgence in film cruelty?”

Read more

REVIEW: The Life of Birds

From ANIMAL PEOPLE, July/August 1999:

The Life of Birds
Five-volume video series
hosted by David Attenborough
BBC production, distributed by
20th Century Fox Home Entertainment.
10 hours. $89.98.

Two hours of The Life of Birds cover the
evolution of flight, three examine avian diet, one
focuses on communication, single hours look at
mating, nesting, and parenting, and the last hour
discusses adaptation to hostile environments.
The cinematography may be matched,
but is unlikely to ever be exceeded for drama and
variety, in part because The Life of Birds includes
many rare looks at species seldom seen, native to
the most remote corners of the world, and perhaps
soon to vanish, victims of habitat loss. As the press
materials boast, Attenborough’s crews took ultraslow-motion,
night vision, and micro-mini cameras
to 42 nations, flying 250,000 miles to capture
the most memorable possible shots of more than
300 species, at total cost of $12 million.

Read more

Jacques Cousteau’s Silent World

From ANIMAL PEOPLE, July/August 1999:

PARIS––Bernard Violet, author of
a 1993 biography of the late undersea explorer
and filmmaker Jacques Cousteau, on June 17
disclosed documents he said he had obtained
since Cousteau’s death that may belie many of
Cousteau’s claims about his early career.
Violet likened Cousteau’s alleged
autobiographical misrepresentations to later
instances in which Cousteau used abusive
techniques to get dramatic film footage of wild
marine mammals––techniques which
Cousteau himself eventually acknowledged,
regreted in public statements, and denounced,
even as the films he made helped to create the
international movements to save whales, seals,
and other marine life.

Read more

Free Willy! six years later

From ANIMAL PEOPLE, June 1999:

OSLO, Norway––Responding on
four days’ notice to a Japanese plan to capture
four orcas in Norwegian waters, former
“Flipper” trainer Ric O’Barry recently scored
one of the biggest, quickest victories of his 30-
year crusade against marine mammal captivity.
Yet mass media and even Internet
animal rights forums scarcely noticed.
O’Barry was used to the silence.
Arrested on Earth Day 1970 for tryting to free
two captive dolphins, he campaigned virtually
alone for almost 20 years. Then the 1993 hit
film Free Willy! and sequels made opposition to
marine mammal captivity briefly the fastest
growing and most lucrative branch of the animal
rights movement.

Read more

1 9 10 11 12 13 19